They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. He was looking at her with those shy, worshipping eyes of his that always made her marvel at her own wonderfulness.!

She was glad she had been able to cry. She had always hated herself for her lack of tears; it was so unwomanly. Even as a child she had rarely cried. “Who told you I persuaded him?” she asked.

Flossie, who had been hovering impatient, broke in. It was the task that had been entrusted to her. How could he hope to succeed without her. With her, he would be all powerful—accomplish the end for which he had been sent into the world. Society counts for so much in England. What public man had ever won through without its assistance. As Greyson had said: it is the dinner-table that rules. She could win it over to his side. That mission to Paris that she had undertaken for Mrs. Denton, that had brought her into contact with diplomatists, politicians, the leaders and the rulers, the bearers of names known and honoured in history. They had accepted her as one of themselves. She had influenced them, swayed them. That afternoon at Folk’s studio, where all eyes had followed her, where famous men and women had waited to attract her notice, had hung upon her words. Even at school, at college, she had always commanded willing homage. As Greyson had once told her, it was herself—her personality that was her greatest asset. Was it to be utterly wasted? There were hundreds of impersonal, sexless women, equipped for nothing else, with pens as keen if not keener than hers. That was not the talent with which she had been entrusted—for which she would have to account. It was her beauty, her power to charm, to draw after her—to compel by the mere exercise of her will. Hitherto Beauty had been content to barter itself for mere coin of the realm—for ease and luxury and pleasure. She only asked to be allowed to spend it in service. As his wife, she could use it to fine ends. By herself she was helpless. One must take the world as one finds it. It gives the unmated woman no opportunity to employ the special gifts with which God has endowed her—except for evil. As the wife of a rising statesman, she could be a force for progress. She could become another Madame Roland; gather round her all that was best of English social life; give back to it its lost position in the vanguard of thought. Her admiration of the independent woman had undergone some modification since she had come in contact with her. Woman was intended to be dependent upon man. It was the part appointed to him in the social scheme. Woman had hers, no less important. Earning her own living did not improve her. It was one of the drawbacks of civilization that so many had to do it of necessity. It developed her on the wrong lines—against her nature. This cry of the unsexed: that woman must always be the paid servant instead of the helper of man—paid for being mother, paid for being wife! Why not carry it to its logical conclusion, and insist that she should be paid for her embraces? That she should share in man’s labour, in his hopes, that was the true comradeship. What mattered it, who held the purse-strings!